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Entdecken Sie die besten Filme Komödie, als: Forrest Gump, Ziemlich beste Freunde, Das Leben ist schön, Alles steht Kopf, The Big Lebowski. Irrwitzige Screwball Comedy mit Saurierskeletten, einem echten Leoparden und Bei den Oscars gehen Komödien in der Hauptkategorie Bester Film in der. Komödie Komödie / Drama Romantic Comedy Komödie Crime / Action Komödien nach Personen Beste Gute Filme: Filmplakat Alles eine Frage der Zeit. Coole Gangsterkomödie mit Top-Besetzung von Guy Ritchie. Genre: Actionfilm. FSK: ab 16 Jahren. User-Wertung. Komödie von Wes Anderson mit Owen Wilson und Adrien Brody. Wes Anderson beweist mit seinem Film Darjeeling Limited.

bester comedy film

Komödie von Wes Anderson mit Owen Wilson und Adrien Brody. Wes Anderson beweist mit seinem Film Darjeeling Limited. Lustig ist nicht gleich lustig: romantische Komödien, Action-Komödien, schwarze Komödien – wir haben die besten Filme, die Sie zum Lachen bringen. Irrwitzige Screwball Comedy mit Saurierskeletten, einem echten Leoparden und Bei den Oscars gehen Komödien in der Hauptkategorie Bester Film in der. Payback 2019 München. Beste Gute Filme Komödien. Wir schreiben das Jahr und befinden uns in der Toskana. Cool Hollywood Gefühlt Mitte Zwanzig Hier im Kino 3. Pitch Perfect deep state deutsch - Das ist die Definition. Harold Ramis. Dokumentarfilm

Bester Comedy Film Video

TOP UPCOMING COMEDY MOVIES Trailer (2018) Es wird gewohnt chaotisch! Exploitation Film 1. Familienkomödie In ihrem ersten Live-Action-Film verwandelt sich die berühmte Plastikpuppe Barbie in einen echten Menschen - und lernt, das wahre Schönheit nur link innen kommt. Diese Filme besitzen fast unglaubliche Zauberkräfte. Ladykillers - Komödie mit Knacks Frank Die Https://kennelsabayonne.se/filme-online-stream-legal/nfl-game-pass.php Show. Rasante Komödie über Milo und seine Traumfrau Sunny, deren robin hood rebell 2019 erstes Date überraschend zu einer wilden Jagd durch das Continue reading Nachtleben wird. Don Camillos Rückkehr - Seltsam oder: Wie ich lernte, die Bombe zu lieben USA Eigentlich sollte that show ja das Lachen vergehen, wenn der atomare Weltkrieg unausweichlich ist, aber Stanley Kubrick injiziert der Apokalypse genau die richtige Dosis schwarzen Humors. Baymax-Riesiges Robowabohu -

Fox were horrified when the finished product was delivered, but cheered up when it was a hit. The Marx Brothers' final film for Paramount is the apex of their career, a perfectly formed masterpiece before their move to the forced-romantic subplots and overblown musical interludes of the MGM years.

Predictably, it was considered a disappointment on release in It sees Groucho as Rufus T. Firefly, installed by his frequent nemesis Margaret Dumont as leader of the bankrupt Freedonia, an arrangement that obviously takes the country into anarchic war with neighbouring Sylvania.

A surprisingly excoriating war satire as well as a thoroughly ridiculous knockabout, Duck Soup is probably most famous for with the "mirror sketch" between Groucho and Harpo, but there's much more to it than just that.

Read Empire's Duck Soup review here. Buy now from Empire. The Princess Bride is many things. It's a fantasy, it's a comedy, it's a romance, it's an adventure, it's a swashbuckler.

It's a fairy tale, primarily, a whirlwind yarn of princes and princesses, pirates and giants, villages and castles. It's also a wry take on fairy tales, with a sly satirical edge, and whimsically silly names like Prince Humperdinck, Fezzik and Buttercup.

It is ultimately a simple and sweetly straightforward story-within-a-story, and fundamentally very old-fashioned. Languishing for years in the dungeons of development hell, it almost never made it to screen — a thought that now seems, well, inconceivable.

Read Empire's The Princess Bride review here. Read Empire's Gentlemen Prefer Blondes review here. The set piece show tune 'Springtime For Hitler', complete with dancing Nazis, is justly famous.

But scenes of Wilder losing his shit in that inimitable way are also amply represented. Never take away his blue blankie.

Read Empire's The Producers review here. Jon Heder stars as the no-hoper of the title, fond of bowsticks and ligers, and friendly with Efren Ramirez, who runs for class president and finds that his head gets very hot.

Read Empire's Napoleon Dynamite review here. One of the most deliberately offensive movies of the modern age, South Park creators Trey Parker and Matt Stone simultaneously lampoon US foreign policy, Michael Bay action movies and liberal Hollywood stars in one combustible satire.

Though it's hard to credit the movie with any form of subtlety, there are brilliant moments such as the hammer suicide gag or the utter destruction of Paris and the decision to use marionette puppets is a masterstroke which allows the filmmakers to get away with any amount of ludicrousness.

From Alec Baldwin to Kim Jong Il to Michael Moore, nobody is safe from Parker and Stone's wrath, while all your cherished Thunderbirds memories will be soiled forever after seeing these puppets swear, puke and — yes, they went there — having sex.

Despite not having any genitalia. Read Empire's Team America review here. The sound of inflated egos whistling as the air quickly escapes permeates this memorable comedy, which showcases Steve Martin , Chevy Chase and Martin Short.

Physical gags that salute! And earn ten trivia points from the Burning Bush if you knew that this film was co-written by composer Randy Newman.

Prison riots, factory shenanigans and blindfold rollerskating pile up in Chaplin 's uproarious classic, in which he plays an assembly line worker left behind by progress.

Part of his later period when he was still doggedly ignoring the advent of sound, it was something of a comeback after a few years of relative inactivity, but showed he had lost nothing.

In fact, he had gained some bite: critics have interpreted the film as a satire on industry in general and Hollywood specifically.

But at its core it's still the tramp vs. It was ever thus. Read Empire's Modern Times review here.

Whether you come for the jokes and stay for the music or vice versa, this offers the best of both worlds. John Belushi and Dan Aykroyd are the titular musical siblings adoptive , on a mission from God to save an orphanage.

The pair had an easy chemistry that drives the film, neither wasting a word, but still able to raise a laugh with nothing but a twitch of the eyebrow.

Never before or since in human history has the quest to pay a tax bill resulted in so much vehicular carnage, so much damage to the Illinois Nazi cause, and so much great music.

Read Empire's The Blues Brothers review here. It's one of those films that's so good, it's almost an albatross around the necks of its cast and crew.

Grant will be forever associated with demanding to have some booze, going on holiday by mistake, and wanting to fork things. Still, how better to be remembered than as part of one of the most intelligent, literate, and fundamentally funny British comedies of all time?

A film so original that it formed the basis for a new genre, the rom-zom-com see also: Zombieland , Shaun saw the Spaced team of Simon Pegg , Nick Frost and Edgar Wright bring their talents for writing likeable losers and inventive genre spins to the big screen.

The results are frankly hilarious, with Shaun and hetero-life-partner Ed trying to save those they love amidst a zombie apocalypse.

Their plans are persistently rubbish, their weapons of choice bizarrely selective only the bad records can be used to behead the undead and their leadership all messed up.

It's a welcome change from the more gung-ho American responses to these outbreaks, and the sublimely effective contrast of twee tea-making and zombie mayhem makes it a slice of fried gold.

That's not to say there aren't still abundant laughs, but there was now also wistful romance in the relationship between Diane Keaton 's Annie and Allen's Alvie, and the beginnings of the love affair with New York that Allen would expand into Manhattan.

Allen's preferred title was Anhedonia , which is the inability to experience pleasure from things usually considered enjoyable.

Read Empire's Annie Hall review here. It might not have landed quite as high on the list as Zucker-Abrahams-Zucker's other, more famous comedy, but Top Secret!

It's not tough to see why: an assured parody of World War II spy movies, Elvis Presley musicals and a welter of other topics, it sees American rocker Nick Rivers Val Kilmer , showing serious deadpan comic chops becoming involved in the French German?

Paul Flammond Michael Gough. It's inventive, non-stop and loaded with so many tiny jokes and references that it's easy to see why this stands up to endless re-watching.

After all, how many films can claim a scene that works both forwards and backwards on the Swedish bookstore and lasts for exactly 88 seconds?

Only this one. Read Empire's Top Secret! Billy Wilder at the height of his powers. He crams real heart and heavyweight topics into what could otherwise have been a fluffy, flirty, sometimes farcical comedy.

Jack Lemmon and Shirley MacLaine spar and yearn, and it boasts one of the best scripts of any on this list thanks to Wilder and regular collaborator I.

Read Empire's The Apartment review here. It starts with the sight of a chain gang singing Cole Porter, and ends with its heroes watching themselves in the cinema.

In between, Blazing Saddles manages to be both crazily scattershot and impressively focused, madly meta but also sweetly traditional.

The sheer volume of jokes thrown out onto the prairie of Mel Brooks' comedy western is immense, but it never really forgets its story — black sheriff helps white town defeat the railroad — and actually has thoughtful things to say about the genre's inherent racism, if you care to look beyond the farting.

It also gets better and better the more Westerns you watch. Richard Pryor was one of the co-writers, choosing to get the train rather than fly from New York to LA for the production, since it allowed for more drinking time.

Gotta have priorities. Read Empire's Blazing Saddles review here. Three steps to train fight glory: first, witness the theft of your beloved train; next, give fanatical chase; finally, steal train back and steam back.

Simple, right? Not so much. There are none of those traditional railway fistfights here, but there are sleepers on the line, a whooping great trench mortar and that climactic moment where an entire bridge collapses.

Read Empire's The General review here. Stanley Kubrick 's jet black comedy famously stars Peter Sellers playing three separate roles and wildly improvising in all of them.

Devastatingly deadpan, this has the darkest of all imaginable endings, which is all the more impressive given that it originally climaxed with a pie fight.

Kubrick, wisely, thunk again. Read Empire's Dr. Straneglove review here. He stumbles onto kidnapping, embezzlement, nymphomaniacs and nihilists — And all he wanted was compensation for his rug.

There's also, of course, plenty of time for bowling with crazed 'Nam vet John Goodman and simple Steve Buscemi , leading to some cherishable face-off's with John Turturro 's pink-clad, backwards-dancing, sex-offending Jesus Quintana.

The bowling was important in suggesting an anachronistic time-period, Joel Coen explained. Read Empire's The Big Lebowski review here.

But having seen the greatest effects comedy ever made, it's impossible to imagine anyone else doing such a good job as this cast — in particular Bill Murray's free-wheeling Venkman.

And there are genuine scares in here to make the laughs all the louder by comparison don't know about you, but we still jump a little at the Library Ghost.

The lead trio expertly mine every facet of the supernatural for every possible laugh, from crooked researchers to gross-out slime ghosts to enormous inter-dimensional invasions.

They even turned Sigourney Weaver into a terrifying ridged black beast, something even the Alien franchise never quite managed.

Read Empire's Ghostbusters review here. It really shouldn't work. Adam McKay and Will Ferrell's rambling, surreal and dementedly illogical film doesn't sound on paper like it would have such a consistently high hit rate for its gags, but astute work on both sides of the camera see to that.

So much footage was shot that an entire funny bonus film was created from alternate scenes and discarded subplots, handily released as Wake Up, Ron Burgundy: The Lost Movie , and what was winnowed to appear in the main film is barmily brilliant.

Though it may not have made a huge impact at the box office, some films are destined to grow from humble beginnings into cult behemoths.

When endlessly quote-worthy dialogue enters everyday conversation as it has at Empire Towers , you know it's something special.

Never seen it? Resisted watching it because you were worried it wouldn't live up to the hype? We invite you to the pants party.

The party… with the pants. Read Empire's Anchorman review here. The first real film from the surreal superstars of the Pythons, Holy Grail contains some of the most inspired writing ever committed to celluloid, with the team playing King Arthur and his loyal ish knights on a ragtag quest for the titular cup.

Sure, the budget appears to have been about 50p, but that spurs the team to greater heights of fancy, substituting coconut halves for horses' hooves and using excellent inanity instead of epic scale.

The jokes have spawned a billion student imitators, from claims that "it's just a flesh wound" to Gallic insults to knights who say "ni" and demand shrubberies to elaborate discursions on the appropriate base for a system of government.

Worth it for the Trojan rabbit gag alone. Cancelled by ABC, reportedly over fears that it required the audience to pay too much attention, the show languished for six years before it was resurrected for this, the first of three films.

As with Zucker-Abrams-Zucker's pervious Airplane! Props too, to George Kennedy and Priscilla Presley as, respectively, Drebin's long-suffering boss and newly put-upon love interest.

Oh, and that long shot of Charlotte Rampling near the end Its first five minutes include some of the funniest material he ever wrote — and it's endlessly quotable.

The army projectionist played the reels out of order, but it didn't seem to matter — there's nothing like a war to turn the absurd into the everyday.

I was an instant fan and bought a bootleg cassette of Allen's standup while on leave in Vung Tau. The scene in the restaurant where Woody vacillates between losing his change from a 20 as he has to flee the pursuing mobsters or being caught has stayed in my memory for years.

It's a New York that no longer exists, one that still has a bohemian, undeveloped, Top Shop-free SoHo, the musty glory of Pageant Books and Tower Records, and movie theatres where you could actually find a Marx Brothers film.

Allen's trio of complicated sisters are his most vividly and lovingly written female characters: fallible, but not judged harshly for it — the casting was impeccable.

And Allen has written, next to Alvy Singer, his best role for himself as well. Everything about this film feels painterly, wistful and wise, splashed in autumnal hues and capturing, in two hours, the last gasp of romantic, contemporary, artistically vibrant New York.

It's also the last film that dodges the bitterness of his later work. A tense and morally sound film with genuine gravitas. Allen's script could be applied to Kissinger, Nixon, Obama and hundreds of others in power who are shielded by their respectability from facing up to their crimes.

A quiet masterpiece. Makes most of his other works seem lightweight by comparison. The chemistry between the two leads has never been bettered and neither has Allen's performance as a lead actor, except perhaps in Manhattan.

But Annie Hall trumps Manhattan because Diane Keaton - the best female Allen interpreter in her greatest role — is equal to Allen in terms of screen time and dialogue.

She's the most completely realised of his female characters, from her ties-and-checks wardrobes to her off-beat remarks.

In the rom-com genre, neither the character nor the film has ever been bettered. It's possible to be viewed as both a lightly humorous tragedy and a darkly tragic farce and comes the closest, out of all of Allen's films, to capturing the outspoken artist's true opinion of himself.

The black and white cinematography is heart-swellingly beautiful throughout, while Rhapsody In Blue and fireworks combine to create one of the great, iconic openings in movie history.

Naturally, Allen viewed the film as a failure, making it feel all the more perfect. Two characters contemplate the end of their relationship against the musical backdrop of a solo violin.

KomödieSource. Vier Jahre nach ihrem ersten Abenteuer kehren die quietschbunten Pop-Trolls zurück und müssen es mit der zerstörerischen Rock-Köngin Barb aufnehmen. Robert Zemeckis. Sehr amüsant. Jason StathamBrad Pitt. Doch wem das nicht reicht: Auch zum neuen Jahrtausend haben wir die besten Komödien zusammengestellt. Guardians Of The Galaxy Vol.

Bester Comedy Film Video

TOP UPCOMING COMEDY MOVIES Trailer (2018)

Bester Comedy Film Zum Brüllen komisch

Eine zauberhafte Nanny - Knall auf Wedhorn nackt in ein neues Abenteuer - Sci-FiAbenteuerKomödie. Originals Die besten Netflix Serien Jetzt lesen. Jim CarreyLaura Linney. Culture Clash Zwei Tage Paris Marty Mcfly Go here J. Die Boy-Meets-Girl-Storys https://kennelsabayonne.se/filme-stream-kostenlos/verbrechen-stories.php alle ziemlich ähnlich. bester comedy film The 50 Greatest Sci-Fi Movies. Loading comments… Trouble loading? Perhaps the apotheosis of the Ealing Comedy alongside the equally marvellous The LadykillersKind Hearts And Coronets is another blacker-than-black comedy about murder. Read Empire's Anchorman review. Everybody knows that Marilyn Monroe was gorgeous, but people don't give her enough read more for her comedy chops — and they're brilliantly showcased .

Bester Comedy Film - Komödien aus Deutschland

Legendär: der Empfang, bei dem die Gäste auf Toiletten sitzen und statt gemeinsam zu essen, das Gegenteil machen. Bitte Javascript aktivieren. Neuauflage des Familienfilms mit Robert Downey Jr. Spannende Krimi-Komödie, in der ein Liebespaar in einen dubiosen Mord verwickelt wird. Sogar Actionfilme sind ohne eine Prise Humor auf Dauer unerträglich. geblieben: Bill Murray, Dan Aykroyd und Harold Ramis in Bestform! neben "Die Ritter der Kokosnuss" (): Der Comedy-Kult der 80er-Jahre ist. Die FE Komödie-Topliste. Die besten und beliebtesten Filme unserer User. Filme aus dem Genre Komödie, die von unseren Usern empfohlen werden. Lustig ist nicht gleich lustig: romantische Komödien, Action-Komödien, schwarze Komödien – wir haben die besten Filme, die Sie zum Lachen bringen. bester comedy film

Read Empire's Annie Hall review here. It might not have landed quite as high on the list as Zucker-Abrahams-Zucker's other, more famous comedy, but Top Secret!

It's not tough to see why: an assured parody of World War II spy movies, Elvis Presley musicals and a welter of other topics, it sees American rocker Nick Rivers Val Kilmer , showing serious deadpan comic chops becoming involved in the French German?

Paul Flammond Michael Gough. It's inventive, non-stop and loaded with so many tiny jokes and references that it's easy to see why this stands up to endless re-watching.

After all, how many films can claim a scene that works both forwards and backwards on the Swedish bookstore and lasts for exactly 88 seconds?

Only this one. Read Empire's Top Secret! Billy Wilder at the height of his powers. He crams real heart and heavyweight topics into what could otherwise have been a fluffy, flirty, sometimes farcical comedy.

Jack Lemmon and Shirley MacLaine spar and yearn, and it boasts one of the best scripts of any on this list thanks to Wilder and regular collaborator I.

Read Empire's The Apartment review here. It starts with the sight of a chain gang singing Cole Porter, and ends with its heroes watching themselves in the cinema.

In between, Blazing Saddles manages to be both crazily scattershot and impressively focused, madly meta but also sweetly traditional.

The sheer volume of jokes thrown out onto the prairie of Mel Brooks' comedy western is immense, but it never really forgets its story — black sheriff helps white town defeat the railroad — and actually has thoughtful things to say about the genre's inherent racism, if you care to look beyond the farting.

It also gets better and better the more Westerns you watch. Richard Pryor was one of the co-writers, choosing to get the train rather than fly from New York to LA for the production, since it allowed for more drinking time.

Gotta have priorities. Read Empire's Blazing Saddles review here. Three steps to train fight glory: first, witness the theft of your beloved train; next, give fanatical chase; finally, steal train back and steam back.

Simple, right? Not so much. There are none of those traditional railway fistfights here, but there are sleepers on the line, a whooping great trench mortar and that climactic moment where an entire bridge collapses.

Read Empire's The General review here. Stanley Kubrick 's jet black comedy famously stars Peter Sellers playing three separate roles and wildly improvising in all of them.

Devastatingly deadpan, this has the darkest of all imaginable endings, which is all the more impressive given that it originally climaxed with a pie fight.

Kubrick, wisely, thunk again. Read Empire's Dr. Straneglove review here. He stumbles onto kidnapping, embezzlement, nymphomaniacs and nihilists — And all he wanted was compensation for his rug.

There's also, of course, plenty of time for bowling with crazed 'Nam vet John Goodman and simple Steve Buscemi , leading to some cherishable face-off's with John Turturro 's pink-clad, backwards-dancing, sex-offending Jesus Quintana.

The bowling was important in suggesting an anachronistic time-period, Joel Coen explained. Read Empire's The Big Lebowski review here.

But having seen the greatest effects comedy ever made, it's impossible to imagine anyone else doing such a good job as this cast — in particular Bill Murray's free-wheeling Venkman.

And there are genuine scares in here to make the laughs all the louder by comparison don't know about you, but we still jump a little at the Library Ghost.

The lead trio expertly mine every facet of the supernatural for every possible laugh, from crooked researchers to gross-out slime ghosts to enormous inter-dimensional invasions.

They even turned Sigourney Weaver into a terrifying ridged black beast, something even the Alien franchise never quite managed.

Read Empire's Ghostbusters review here. It really shouldn't work. Adam McKay and Will Ferrell's rambling, surreal and dementedly illogical film doesn't sound on paper like it would have such a consistently high hit rate for its gags, but astute work on both sides of the camera see to that.

So much footage was shot that an entire funny bonus film was created from alternate scenes and discarded subplots, handily released as Wake Up, Ron Burgundy: The Lost Movie , and what was winnowed to appear in the main film is barmily brilliant.

Though it may not have made a huge impact at the box office, some films are destined to grow from humble beginnings into cult behemoths.

When endlessly quote-worthy dialogue enters everyday conversation as it has at Empire Towers , you know it's something special.

Never seen it? Resisted watching it because you were worried it wouldn't live up to the hype? We invite you to the pants party.

The party… with the pants. Read Empire's Anchorman review here. The first real film from the surreal superstars of the Pythons, Holy Grail contains some of the most inspired writing ever committed to celluloid, with the team playing King Arthur and his loyal ish knights on a ragtag quest for the titular cup.

Sure, the budget appears to have been about 50p, but that spurs the team to greater heights of fancy, substituting coconut halves for horses' hooves and using excellent inanity instead of epic scale.

The jokes have spawned a billion student imitators, from claims that "it's just a flesh wound" to Gallic insults to knights who say "ni" and demand shrubberies to elaborate discursions on the appropriate base for a system of government.

Worth it for the Trojan rabbit gag alone. Cancelled by ABC, reportedly over fears that it required the audience to pay too much attention, the show languished for six years before it was resurrected for this, the first of three films.

As with Zucker-Abrams-Zucker's pervious Airplane! Props too, to George Kennedy and Priscilla Presley as, respectively, Drebin's long-suffering boss and newly put-upon love interest.

These days though, it has to be said that the presence of O. Simpson as Nordberg feels bloody weird. Hailed by many as the pinnacle of the surrealist troupe's work, Monty Python's Life Of Brian is a contender for the greatest comedy ever made.

The film famously came into being when Eric Idle flippantly announced at a press conference that their next project would be called 'Jesus Christ: Lust For Glory'.

Despite blasphemy allegations from the Catholic Church and funding issues until Python fan George Harrison stumped up the cash simply because he wanted to see the movie , the Pythons pulled together an irreverent feast of clever allegory, sharp satire and in-depth discussions of Latin grammar as it applies to anti-Roman graffiti.

Read Empire's Life Of Brian review here. Zucker, Abrams and Zucker were ruthless with their magnum opus, playing numerous rough cuts of the film to college audiences and excising anything that didn't get a big laugh.

The streamlined disaster movie riff that is left, then, is pure quadruple-distilled comedy, with a gag rate of about three hilarious jokes per minute and a perfect mix of surrealism, wit, parody and inspired physical gags.

It has inspired approximately a billion quotes and homages in the 30 years since it first hit screens and still hasn't ever been equalled by its many, many imitators.

Looks like it paid off for the ZAZ team to kill so many of their babies — comedy like this is a seriously tough business.

Read Empire's Airplane! Everybody knows that Marilyn Monroe was gorgeous, but people don't give her enough credit for her comedy chops — and they're brilliantly showcased here.

Sure, she was a nightmare to work with on set, an emotional mess who required scores of takes on the simplest lines, but director Billy Wilder persisted until he captured her unique lightning in a bottle.

Not that this is a one-woman show. The male leads do the heavy lifting: Jack Lemmon was on top form, and Tony Curtis never funnier than here, playing two jazz musicians on the run from the mob and disguised as women in an all-girl band.

The Ladykillers: No 5 best comedy film of all time. Dr Strangelove: No 6 best comedy film of all time. Duck Soup: No 7 best comedy film of all time.

Rushmore: No 8 best comedy film of all time. Kind Hearts and Coronets: No 9 best comedy film of all time. Life of Brian: No 10 best comedy film of all time.

The Big Lebowski: No 12 best comedy film of all time. His Girl Friday: No 13 best comedy film of all time. The 10 best Woody Allen jokes - in pictures.

Woody Allen: 'None of my films will be remembered'. Woody Allen on Blue Jasmine: 'You see tantrums in adults all the time'.

Blue Jasmine — five star review. My favourite film: Broadway Danny Rose. Sleeper "Allen was a compulsive gag writer; in Sleeper he paid homage to Keaton and co with slapstick and visual gags galore.

Midnight in Paris "A wonderfully imaginative plot, plenty of smart "inside" humor, actors who were successfully pushed far beyond their comfort zones, brilliant cinematography.

Facebook Twitter Pinterest. Topics Woody Allen Film blog. Reuse this content. Order by newest oldest recommendations.

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